IP

IP-GLOBAL

Strategy

Why Music First

We're building infrastructure for all intellectual property. We're starting with music because it's the ideal proving ground.

Music Has Unique Advantages

Established Infrastructure

PROs, CMOs, ISRC, ISWC—music has the most developed rights management ecosystem. We can build on existing foundations rather than starting from scratch.

Clear Pain Points

The problems are well-documented: Content ID gaps, unmatched royalties, cross-border friction. Everyone agrees the system needs improvement.

Engaged Community

Musicians are active advocates for their rights. They understand IP issues and will champion solutions that work for them.

Measurable Impact

Clear metrics for success: detection rates, payment speed, revenue increases. We can prove value quickly and iterate based on data.

If We Can Solve Music, We Can Solve Anything

Music rights are notoriously complex. Multiple types (mechanical, performance, sync). Multiple stakeholders (composers, performers, publishers, labels). Territorial variations. Collective management.

If our infrastructure can handle this complexity, extending to simpler IP types (images, text, code) becomes straightforward.

Music Rights Complexity
Mechanical Rights
Performance Rights
Sync Rights
Master Rights
Neighboring Rights

A Massive, Growing Market

$28B
Global recorded music
2023 revenue
$45B
Music publishing
2023 revenue
600M+
Streaming subscribers
and growing
8%
Annual growth
industry-wide

The Strategic Path

Phase 1Active

Music

Prove the model, build infrastructure

Phase 2Next

Audio

Podcasts, audiobooks, sound effects

Phase 3Planned

Visual

Images, video, design assets

Phase 4Future

Text/Code

Written content, software

What about other IP types?

See our roadmap for expanding beyond music

All IP Types